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| Lawrence Block: Small Town | |||
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Yet they don't call Block a grand master just for giggles. No matter how self indulgent, the author demonstrates an agile word-wrangling ability and produces a book that among other things describes art. The art Small Town describes includes folk-art, fetish art, sex as art and the art of writing, and develops murder as a form of artistic self-expression. Marilyn Fairchild (not to be confused with Morgan Fairchild) lies dead in her bed while her gay cleaning man blithely tidies up the crime scene. In his defense, the cleaning man found the body only after he stowed all evidence in the garbage or washed it down the sink. Outside of her apartment building, a lone figure merges with the shadows and slips away.
The cast of characters read like a six-degrees-of-separation list. Readers meet Susan Pomerance who found her apartment through Marilyn Fairchild. Pomerance stars in the novel's sexual experimentation thread. Ex-police commissioner Francis J. Buckram knows a friend of Susan's who provides legal representation for Creighton and ultimately introduces Francis and Susan. The mystery of Marilyn Fairchild's death reminds Francis how much he misses investigating crimes as he wallows in mid-career crisis. The Carpenter, a murderer with a tortured past tied to 9-11, flits in and out of the book. His string of grisly crimes lead to a suspenseful climax. Lawrence Block fans assure me Small Town departs from Block's less erotic and more cohesive Matthew Scudder series and Bernie Rhodenbarr mysteries. But, even as departures go, this Small Town deserves a visit. Dawn Goldsmith
A multi-published
writer of non-fiction and short stories, Dawn Goldsmith also reviews mass market
books for Publishers Weekly
and writes for a variety of publications including Christian
Science Monitor.
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