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| Mary Reed & Eric Mayer: Four for a Boy | |||
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The characters in Four for a Boy fail to make themselves so clear. Reed and Mayer tantalize us with snippets of John's past, but leave us wondering how exactly he came to be castrated and enslaved. Will there be a prequel to the prequel? John tutors the daughter of a Senator, Lady Anna, who harbors romantic feelings for him. What does she see in him? Why does she spurn the marriage offers of suitable aristocrats, insisting she will never marry? We don't know. Lady Anna's character is never given the third dimension that would make her motives more apparent. Even John's sidekick Felix, a burly military type, rarely steps outside his cardboard boundaries. The religious ambiguity of the era (Christianity vs. paganism) makes a fascinating backdrop to John's tale. Those who hold pagan beliefs must keep them quiet, pretending to be faithful to the officially favored Christian god. John's tendency to call upon pagan gods when irritated prompts Felix to suggest he swear in Egyptian, lest his unconventional habits result in unpleasant consequences. At one point John visits a well-hidden Mithraeum, an underground temple dedicated to the god Mithra, much favored by military men. The glimpse of the rituals of this little known ancient faith proved more absorbing than the resolution of the mystery. Three books preceded Four for a Boy: One for Sorrow, Two for Joy and Three for a Letter. In them, John pursues Byzantine miscreants in his capacity as Lord Chamberlain to Emperor Justinian -- a position he would never have attained but for his success in solving the mystery of Four for a Boy. Jodi Forschmiedt Jodi Forschmiedt reads, writes, and teaches in Seattle, Washington. She can be found on the web at Textual Perfection Click here
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