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| Kate Ross: Cut to the Quick | |||
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What can an indolent coxcomb do but jump into the fray? When suspicion falls on Julian's cockney manservant, Dipper, Julian insists on joining the investigation. He proceeds to irritate his hosts by relentlessly questioning their alibis and motives. No police authority exists in the Fontclairs' neck of the woods, except for a magistrate (Sir Robert Fontclair himself), and Senderby, a villager unwillingly appointed to the position of constable. They grant Julian free reign to snoop, and he alternately charms and bullies his way to the truth. With the aid of Dipper, who is good with his hands, Julian uncovers the identity of the murdered girl as well as all of the skeletons in the Fontclairs' attic. Kate Ross tells a capable, if formulaic whodunnit, but Cut to the Quick delivers few period details. The story could take place in the 20th century with only minor changes. One can imagine Julian and Dipper making a charming detective duo in a film where the opulence of the mansion and their Regency era costumes would be more apparent. The story propels itself along pleasantly, not so much building as maintaining suspense. The ultimate solution to the mystery rings a bit hollow, with a plot twist that seems contrived. The murderer's reaction to Julian's accusation falls well outside the bounds of believability. But Julian proves a likeable hero and carries the story on his perfectly dressed shoulders. A fast, enjoyable read, Cut to the Quick would be perfect for an airplane trip. Three Julian Kestrel novels followed Cut to the Quick. A Broken Vessel won the 1994 Gargoyle award for Best Historical Mystery. Whom the Gods Loved appeared in 1995. The Devil in Music received a nomination for the Agatha Award in 1997. Kate Ross died in 1998, and with her died a vibrant character. Jodi Forschmiedt Jodi Forschmiedt reads, writes, and teaches in Seattle, Washington. She can be found on the web at Textual Perfection Click here
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