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| Laurin Wittig: The Devil of Kilmartin | |||
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Symon sees Elena as the key to a prophecy of better days for Clan MacLachlan. If only he could persuade her to stay the distance with him. But Elena sees a different, darker future for their love. So, again, she runs. This first novel mines an interesting premise in its heroine's gift. The plot moves swiftly. The narrative pay-offs land at all the right places, and for the most part, the language avoids the complementary sins of anachronism and pedantry. Delightfully offhand observations of the male animal at his grungiest suggest a hard to repress sense of the absurd. All these things augur well for Wittig's future novels. However, The Devil of Kilmartin reads too much like a primer for a historical romance. The conflict comes across as one-dimensional, as does the heroine. Lapses in continuity undercut Dougal's menace, and the book's crowning revelation does not make sense in the light of Dougal's early confrontation with Symon. On the other hand, the conventions of series romance can be brutal, and one should be careful of asking more from a romantic Highland adventure than the publishers allow their writers to deliver. Jean Marie Ward In addition to editing Crescent Blues, Jean Marie Ward writes for a number of Web-based and print magazines, including Science Fiction Weekly. She is the author of Illumina: the Art of Jean Pierre Targete (Paper Tiger) and several short stories, including "Most Dead Bodies in a Confined Space" in Strange Pleasures 2 (Prime Books). Her first novel, With Nine You Get Vanyr, written with Teri Smith, was published by Samhain Publishing in 2007. Click here
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