| Elizabeth
Boyle: No Marriage of Convenience |
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Shortly afterwards, Riley Fontaine, London's most notorious actress, walks into Ashlin's drawing room and plays the scene of her life. A legion of creditors banged on Ashlin's door since his brother's death, but none quite so stunning as Riley Fontaine. Only Riley didn't come to demand money, she came to plead for an extension on a loan. Frederick lent Riley a substantial sum to finance her new play at the Queen's Gate Theatre. Unfortunately, if Ashlin demands immediate payment for the loan, Queen's Gate will close, leaving Riley with no means to repay the debt.
The aristocratic St. Clair line overflows with rakes, reprobates and wanton flatterers. Ashlin males patronize the arts -- well, they patronize the actresses, opera singers and ballet dancers who adorn the more entertaining arts. The new earl rejected this heritage and chose the celibate life of an Oxford don. He assumes Riley was just another of Frederick's concubines. With the figure of a Venus and the grace of a Diana, Riley boasts the nickname "Aphrodite's Envy." The stories told about her sizzle hotter than the latest on-dits from the ton. Or are these tales just stage hype? Riley upends Ashlin's quiet, scholarly life. She distracts him, bothers him and entertains him. Suddenly the marriage of convenience he seeks with a wealthy merchant's daughter seems damnably inconvenient. Elizabeth Boyle romps through 18th century London with a charming tale about a seductive actress and a scholarly rake. Her amusing characters and delightfully whimsical ending will leave you highly satisfied. Doris Valliant Click here to share your views.
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3, Issue 5.1 © 1998, 1999, 2000 by Crescent Blues, Inc.
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