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…what happened the
last time I wrote that character. I had to go back and reread what I'd
written in order to remind myself, something I'd never had to do before
because the narrative was very straight-line. Multiple viewpoints is harder
to write, but I consider it more interesting to read. It makes a story
richer if you can see certain happenings through a group of very different
eyes.
Crescent Blues:
Even though the main narrator of The Blending, Tamrissa
Domon, is female, three of the POVs are male -- Lorand Coll, Clarion Mardimil,
and Valiant Ro. What are the differences in writing from a man's point
of view versus a woman's? Is one more difficult than the other?
Sharon Green: Since
I'm female, writing from a woman's point of view is no more than a bit
difficult if the woman character is different enough from what I, myself,
am like. She's still a woman, and I can understand and identify intellectually
even if I can't manage it emotionally.
With men, though,
you'll never find me writing from a first-person point of view. I know
enough men and have had enough male friends to realize a long time ago
that men and women may look at the same thing, but they don't see the
same thing. Their ideas of what's important differ, their concepts of
honor, and their outlooks on things like dignity. I can never really see
things through male eyes, but most of my male readers tell me that I'm
getting better at showing what men are really like. That makes me feel
extremely good.
Crescent
Blues: Jovvi Hoford, the embodiment of Spirit in The Blending
is fascinating. She is an intriguing blend of self-assurance, sensuality
and compassion. What is the genesis for Jovvi? Why pick a courtesan for
Spirit?
Sharon Green: It just
so happened that Jovvi was a courtesan, but the matter is one of my soapbox
topics. That means something I consider an important point, but one which
most people disagree with me about. The point in this case is the matter
of sex outside the marriage, and the existence of prostitutes in our own
society.
People yell and scream
if there are prostitutes walking around in their neighborhood and work
hard to get rid of them, never once stopping to think that maybe their
little daughters -- and possibly their wives and sisters and mothers --
are safer because those prostitutes happen to be there.
If a man with the
wrong upbringing comes into a neighborhood and wants some sex, there's
a good chance he'll pay a professional woman and get his jollies that
way. If the lady of the night isn't there, though, what's to keep him
from grabbing the first female he considers attractive no matter what
she wants? Lack of imagination has caused more trouble in this world than
all the "evil" you care to name.
Crescent Blues:
Which of your characters do readers identify with most?
Sharon Green: This
question has come as a surprise. Only one or two people have mentioned
a favorite character, and one of the ones mentioned was Rion. A male fan
told me that he identified very strongly with Rion because he had also
had a totally controlling mother, but others don't seem to mention a favorite
if they have one. I wonder why that is?
Crescent Blues:
What do you think makes Rion so compelling?
Sharon Green: I think
it was the fact that Rion did make an effort to stand on his own feet
and learn about the real world. Now that I think about it, Rion might
be my favorite as well.
Crescent Blues:
What was the genesis of Rion? Did you base him on anyone in particular?
Sharon Green: I based
him on a condition rather than on any particular person. There are people
in our world who think that total control of their children is the best
thing they can do for those kids, never once stopping to ask what will
happen to the kids if they lose their parents abruptly. I feel it's a
parent's duty to teach his/her child to stand on independent feet while
making decisions, not to do it for the child. As a parent you have to
be there to support and encourage, but if you live your child's life for
him or her you're doing damage, not helping. (Guess what? Another soapbox
topic.)
Crescent Blues:
What are the qualities you look for in your heroes and heroines?
Sharon Green: The
first quality is the ability to try to do what has to be done. No one
will win all the time, but if you don't try you can't ever win.
After that, you have
to make use of whatever ability you have, even if you don't think it will
do any good. Try to come up with a way it will do some good, and you're
on the way to doing whatever it is that has to be done.
I firmly believe that
everyone has something they can use. All they have to do is ignore…
Sharon
Green (continued)
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Volume 1, Issue
2 © 1998, 1999 by Crescent Blues, Inc.
All Rights Reserved
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Inc.
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